Creativity that inspires

‘The Present’ in Luxembourg, Luxembourg

31 min readAtlas Obscura
Luxembourg City, Luxembourg
‘The Present’ in Luxembourg, Luxembourg
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Why it matters: this public art installation in luxembourg's kirchberg district beautifies the urban landscape and brings joy to the local community and visitors alike.

About Kirchberg is a district located north-east of Luxembourg City centre, from which it is separated by the Alzette Valley. Urbanised from the 1960s onwards, the district was designed as the capital's business centre and quickly became home to the buildings of several European institutions (Court of Justice of the European Union, Secretariat-General of the European Parliament, European Investment Bank (EIB), etc.).

Its development was intended to be exemplary, with urbanisation that gives pride of place to green spaces, high-quality architecture and the integration of public works of art. The Mudam - Musée d'Art moderne Grand-Duc Jean - fits perfectly into this dynamic: Ieoh Ming Pei's building is integrated into the ruins of a 19th-century fort - Fort Thüngen - and is surrounded by pedestrian areas.

The museum is surrounded by several contemporary artworks that complement the neighbourhood's collection. Among these works is ‘The Present’ by Maria Anwander. And if it is here today, it is thanks to a tour de force by the artist. In 2012, the Casino Luxembourg – Forum d'Art Contemporain welcomed the Austrian artist as artist-in-residence.

It was on this occasion that she placed the work on the Place d'Arme on the morning of 28 June 2012. The problem was that the city had not been notified of this installation. After workers reported this strange discovery, in accordance with the law, the city became the owner of this unexpected deposit: the work was removed during the morning and stored.

Although the outcome seemed to be a fiasco, it actually worked perfectly: through this act of disobedience, the artist managed to force the city to acquire one of her works of art. Through this action, she reversed the usual mechanisms by which cities decide to acquire works of art to decorate public spaces. Contrary to what one might have expected, the city of Luxembourg appreciated this artistic tour de force: it officially accepted the gift – ‘The Present’ – shortly afterwards and the work joined the Mudam.

This method of forced acquisition appears to be unique among national art institutions. Its exhibition in Dräi Eechelen Park therefore pays tribute to the artist's audacity and returns the work to the public space (where it is destined to be installed).

Exposed to the elements, it has never been restored in order to express the passage of time through the slow deterioration of the stone. Related Tags Stone Public Art Know Before You Go The artwork is located under the trees to the left of the museum entrance. It is accessible free of charge at all times. Community Contributors Added By duaner Published December 13, 2025 Edit this listing Make an Edit Add Photos Sources https://issuu.com/casinoluxembourg/docs/mariaanwander\_web\_issuu https://archive.casino-luxembourg.lu/html\_en/residence/residence.htm https://www.mudam.com/fr/collection/maria-anwander A homage to an elusive character resides in this public park.

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Brightcast Impact Score (BIS)

70/100Hopeful

This article describes a positive story about an artist, Maria Anwander, who used an unconventional method to get the city of Luxembourg to acquire one of her public art pieces. The artist's 'tour de force' in placing the work without permission, and the city's subsequent appreciation of the artistic gesture, demonstrates a constructive solution and measurable progress in how public art is acquired. The story has a hopeful and uplifting tone, highlighting the city's open-mindedness and the artist's creative approach.

Hope Impact25/33

Emotional uplift and inspirational potential

Reach Scale20/33

Potential audience impact and shareability

Verification25/33

Source credibility and content accuracy

Encouraging positive news

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