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After a Century Abroad, a Sacred "Talking Drum" Returns Home

A sacred "talking drum," the Djidji Ayôkwé, stolen by French colonial troops over a century ago, finally returned to its Côte d'Ivoire home this month, arriving August 7 in Adjame.

Rafael Moreno
Rafael Moreno
·2 min read·Adjame, Côte d'Ivoire·5 views

Originally reported by ARTnews · Rewritten for clarity and brevity by Brightcast

Imagine a drum so big, so important, it was essentially the internet of its time. Now imagine that drum, a 940-pound, ten-foot-long behemoth, spent over a century in exile after being swiped by colonial forces. Well, after 107 years, the Djidji Ayôkwé — a sacred "talking drum" from Côte d’Ivoire — has finally made its way back to its home village of Adjame.

This isn't just any drum. It's a single piece of wood, split down the middle, with a leaping leopard carved onto one plank and intricate faces and patterns adorning its surface. For the Atchan/Ebrié people, it was a vital communication tool, sending messages between villages — including, rather inconveniently for the French, warnings about recruitment operations. So, in 1916, colonial authorities decided the drum needed a change of scenery, effectively silencing a key voice of resistance.

Article illustration

It spent some time outside the French governor's home in Côte d’Ivoire before being shipped off to France in 1929. Its most recent residence was the Musée Quai Branly in Paris, where it presumably enjoyed a nice restoration. Because, apparently, that's where we are now: restoring stolen artifacts before sending them back where they belong.

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The journey home was a long one, even after France’s President Macron promised in 2017 to return looted African art. Côte d’Ivoire officially asked for 148 items, the Djidji Ayôkwé among them, in 2019. Parliament finally gave the green light in 2025 (yes, the future), and after a formal handover in February, the drum arrived in Côte d’Ivoire in March. It then sat in its crate until early August, perhaps recovering from jet lag.

When it finally emerged, it was a sight to behold. Placed in a glass case on a float, it paraded through Abidjan before reaching Adjame. Local leaders and residents, including Ivorian Minister of Culture Francoise Remarck, were there to greet it. Mayor Farikou Soumahoro noted that a nation needs to preserve its memory to develop, while villager Jacqueline Akrebie simply wanted to see it to believe it was truly theirs. Which, after a century, is a perfectly reasonable request.

The drum will now reside at the Museum of Civilizations in Abidjan, a testament to a community's resilience and a subtle reminder that some stories take a very, very long time to reach their final chapter.

Brightcast Impact Score (BIS)

This article celebrates the successful repatriation of a culturally significant artifact, marking a positive action in cultural restitution. The return of the drum is a deeply emotional and symbolic event for the community, with clear evidence of its arrival and reception. The action sets a precedent for future repatriations, indicating scalability and long-term impact.

Hope32/40

Emotional uplift and inspirational potential

Reach23/30

Audience impact and shareability

Verification21/30

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Significant
76/100

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Sources: ARTnews

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