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A New List of 100 Artworks Asks: What Even *Is* America Anymore?

We the People"—the Constitution's iconic opening. Yet, as the US nears 250, politicians increasingly define who belongs, who gets rights, and whose stories matter.

Rafael Moreno
Rafael Moreno
·3 min read·United States·3 views

Originally reported by ARTnews · Rewritten for clarity and brevity by Brightcast

As the U.S. inches closer to its 250th birthday, the question of "We the People" feels less like a proud declaration and more like a hotly debated topic. Whose stories get told? Whose rights are accessible? And perhaps most importantly, whose art gets to define the whole messy thing?

This exact existential query led the smart folks at ARTnews and Art in America down a rabbit hole. The result? A shiny new list of the 100 greatest artworks about America. Not just "American art," mind you, but pieces that genuinely wrestle with the country's identity, history, and often, its contradictions.

Article illustration

So, What Made the Cut?

Forget stylistic consistency. This isn't a museum gift shop of greatest hits. The list bounces from an 18th-century painting of a Founding Father to a 21st-century video dissecting anti-Black racism. You'll find art critiquing colonialism alongside celebrations of American landscapes. Pieces revisiting enslavement rub shoulders with calls for liberation. Denunciations of foreign wars sit next to quiet homages to traditional American life. Because apparently, America contains multitudes.

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The project took over a year, with editors spending a solid month just defining the parameters. They weren't looking for the "best art made in America," which, let's be honest, is a list that could spontaneously combust from sheer breadth. Instead, they wanted art that engages with America. It’s a subtle but crucial difference.

And no, you didn't have to be born in the U.S. to make the cut. Because if Alexander Hamilton (Nevis), Francis Lewis (Wales), and George Taylor (Ireland, indentured servant edition) can be Founding Fathers, then artists from Korea, Moldova, Iraq, Chile, Vietnam, Cuba, Hong Kong, Japan, Switzerland, and Mexico can absolutely create defining art about the place. Native American artists, of course, feature prominently, as do U.S.-born painters and sculptors. Some even viewed the U.S. from abroad, offering that delicious outsider perspective.

The key was direct engagement: Revolutionary War, Civil War, Vietnam, Civil Rights, Trail of Tears, mass incarceration, the Great Depression. The Hudson River School to Pop art, the Harlem Renaissance to Conceptualism and Minimalism — it’s all here. It's less a curated collection and more a visual argument about a nation perpetually in progress.

The Founding Fathers of Fine Art Lists

Crafting this list was, predictably, a glorious mess of collaboration. Editors tossed out suggestions, argued their cases, and probably exchanged a few pointed Slack emojis. Debating what's "about America" is one thing; ranking it? That's when the real fun begins.

It was a process of spirited disagreement, which, if you think about it, is probably how the actual Founding Fathers got anything done. One editor even compared the experience to Felix Gonzalez-Torres's 1994 sculpture, "Untitled" (America), which, made of light bulbs, is #55 on the list. Gonzalez-Torres, a Cuban-born artist who spent 17 years of his career in the U.S., designed his work to be displayed however the presenter wished. Open to interpretation, constantly shifting.

He once described the U.S. in a similar vein: "The America that I now know is still a place of light, a place of opportunities, of risks, of justice, of racism, of injustice, of hunger and excess, of pleasure and growth." He added, rather succinctly, "Democracy is a constant job, a collective dedication." Which, it turns out, also applies to making a definitive art list about it.

Brightcast Impact Score (BIS)

This article describes the positive action of compiling a comprehensive and diverse list of 100 artworks about America, aiming to reflect the nation's multiplicity. The initiative promotes a broader understanding of American art and identity, offering a critical yet hopeful perspective. The impact is notable for art enthusiasts and those interested in cultural discourse.

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Sources: ARTnews

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